The wider picture
Castle Howard, a stunning example of English Baroque architecture, stands as a testament to the vision of Sir John Vanbrugh, who designed the estate in the early 18th century. As we approach the 300th anniversary of his death, the estate is set to launch an exhibition titled “Staging the Baroque: Vanbrugh at Castle Howard” on March 26, 2026. This event not only commemorates Vanbrugh’s remarkable contributions to architecture but also invites visitors to explore the intricate relationship between the estate’s design and its picturesque landscape.
Sir John Vanbrugh, who passed away on March 26, 1726, is celebrated for his bold and theatrical architectural style. His work at Castle Howard is often regarded as one of his most poetic creations, blending grandeur with the natural beauty of North Yorkshire. The upcoming exhibition will feature original letters, 18th-century editions of Vanbrugh’s plays, and engravings from Vitruvius Britannicus, allowing attendees to delve into the mind of the man behind this magnificent estate.
In a statement reflecting on the exhibition, Nicholas and Victoria Howard expressed their pride, saying, “It was Vanbrugh’s vision that brought Castle Howard to life, and now the House has the honour of celebrating its creator.” This sentiment resonates deeply as the estate prepares to showcase a large-scale model of its landscape, highlighting how Vanbrugh’s architectural choices harmonize with the surrounding environment.
Roz Barr, the exhibition curator, emphasized the significance of this celebration, stating, “This exhibition celebrates the life and works of John Vanbrugh and the beauty and significance of his work at Castle Howard.” She hopes that visitors will be inspired to explore the grounds and appreciate the impact of the house, with its grand elevations and imposing dome, against a backdrop of trees, water, sculpture, and other buildings, including the Temple of the Four Winds.
As part of the broader program for Vanbrugh’s tercentenary year, the exhibition will also feature talks, performances, and artist responses, creating a vibrant dialogue around his legacy. Notably, renowned artist Es Devlin is set to unveil a new installation in the Temple of the Four Winds in June 2026, further enriching the experience for visitors.
The Tapestry Drawing Room at Castle Howard, which recently underwent renovation after suffering a fire in the 1940s, will also play a role in the exhibition, showcasing the resilience and ongoing dedication to preserving Vanbrugh’s vision. This restoration highlights the importance of maintaining historical sites and ensuring that future generations can appreciate their beauty and significance.
As excitement builds around the exhibition, observers note a growing recognition of Vanbrugh’s originality and influence. Sir Charles Saumarez Smith remarked, “Five years ago, I thought no-one was interested in Vanbrugh. Now, people are recognising his originality.” This shift in perception underscores the enduring impact of Vanbrugh’s work and the importance of celebrating his contributions to British architecture.
As the opening date approaches, Castle Howard stands poised to welcome visitors eager to engage with the rich history and artistry of Sir John Vanbrugh. The exhibition promises to be a profound exploration of his legacy, inviting all to appreciate the enduring beauty of one of England’s most iconic estates.
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