What the data shows
What happens when a pop star steps onto the stage of a classic play? For Rebecca Lucy Taylor, known professionally as Self Esteem, the answer is a captivating performance that brings new life to David Hare’s 1973 play, Teeth ‘n’ Smiles. Taylor plays the character Maggie, a role that has drawn both critical acclaim and audience admiration since the play’s revival at the Duke of York’s Theatre on March 28, 2026.
Set against the backdrop of a chaotic gig at a university ball in 1969, Teeth ‘n’ Smiles explores the tumultuous world of a minor-league rock band. Critics have noted that Taylor’s portrayal of Maggie is both powerful and nuanced, with Sarah Crompton stating, “Taylor is sensational as Maggie, full of self-loathing and fight in almost equal measure, staggering around the stage but never going down.” This performance marks a significant moment for Taylor, who has transitioned from music to acting, showcasing her versatility.
The revival of Teeth ‘n’ Smiles is directed by Daniel Raggett and features original songs by Nick and Tony Bicât, adding a fresh layer to the production. Despite the play’s historical context, some critics have questioned its relevance in today’s world. Fiona Mountford remarked, “Does it have anything of burning import to say to us in 2026? The awkward answer is a resounding ‘No.'” This sentiment echoes a broader discussion about the revival of older works and their place in contemporary theatre.
While the critics’ average rating for the play stands at 3.2 stars, it has not deterred audiences from flocking to see it. The production is set to run until June 6, 2026, providing ample opportunity for theatre-goers to experience this revival. The play’s exploration of themes such as ambition, failure, and the chaotic nature of youth resonates with many, even if the original context may feel distant.
As Taylor continues to shine in her role, her dual identity as a pop star and actress adds an intriguing layer to her performance. Adam Bloodworth noted, “Self Esteem’s live performances with the band…are compelling,” suggesting that Taylor’s stage presence is a blend of her musical background and her newfound acting prowess.
However, the question remains: why revive a piece that some critics deem outdated? Nick Curtis posed this very question, asking, “Why revive this dated piece about a minor-league rock band combusting at Jesus College Cambridge’s 1969 May Ball?” This inquiry highlights the ongoing debate within the theatre community about the value of reviving older works versus creating new narratives that reflect current societal issues.
As audiences continue to engage with Teeth ‘n’ Smiles, the conversation around its relevance and impact will likely evolve. For now, Rebecca Lucy Taylor’s performance as Maggie stands as a testament to her talent and the enduring power of storytelling through theatre. Details remain unconfirmed about any future projects for Taylor, but her journey from pop star to stage actress is one that many will be watching closely.
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